Category: Exoskeleton

1991

clothing, acrylic resin, steel, silk flowers
truss: 300 x 50 cms; sphere: 300 cm diameter
installation view at the Art Gallery of New South Wales, 1991

1989

clothing, steel, acyrlic resin
270 x 100 x 60 cms
clothing, acrylic resin, oil on canvas
240 x 900 cms

1985

clothing, resin, steel, acrylic resin,
400 x 500 x 750 cms graphite on paper 270 x 120 cms

1984

clothing, wire, acrylic resin
280 x 80 x 220 cm
graphite on paper
120 x 150 cms

1983

timber, steel, wax
230 x 60 x 260 cms

“The gate is a portrait of man in the eighties. It can also be seen as a self-portrait. The figure is clothd in a medieval way to reinforce a feeling of austerity and “New Dark Ages”. The figure stands in a state of near catatonia. All emotions have been turned inwards – not in meditation but as a form of protection and fear. The man stands in an archway, poised on the brink…”
Richard Goodwin, artists’s statement

1983

clothing, alumninum, stainless steel, perspex
100 x 100 x 90 cms
Collection: Anne Murray, Sydney

1981

clothing, brass, steel
100 x 100 x 100 cms
Collection: Anne Murray, Sydney